The existence of the castle of Lockenhaus can already be verified for the
years since 1200, when it was called “Leuca”. At that time it belonged to Bana, the prefect of Sopron from the
Herény family. It was supposed to block the Zöbern valley and control the roads leading to the west. Lockenhaus’
owners changed several times, as it happened with many fortifications in the Austro-Hungarian border region, and
therefore often changed its strategic orientation.
In 1241 Duke Friedrich
der Streitbare (Frederik the Warlike) occupied the Hungarian border counties, but two years later the Hungarians
recaptured the area. The native Bavarian Buzád-Hahold family settled people from Bavaria and Styria to the area
which originally was inhabited mostly by Slavs but had been depopulated by the Mongol invasion. Count Demetrius II
Csák, who was related to the Buzáds, handed over the castle to a nobleman named Torda. After Count Csák had had an
dispute with the Hungarian King Béla IV, he left the dominion to his father-in-law Heinrich II of Güssing in 1270.
Heinrich’s son Nikolaus I called himself “Count the Leuka” and founded the Lockenhaus line of the counts of
Güssing. His son Nikolaus II successfully defended Lockenhaus when it was besieged by his nephew Andreas in 1318.
When in 1336 King Karl Robert I of Anjou broke the power of the counts of Güssing and the Voivode Stefan Láczkfi
conquered Lockenhaus through treason after a long siege, the castle came into the possession of the Hungarian
Crown. In 1390 King Sigismund gave the castle with the extended estate as a feud to the Kanizsay family, who kept
it until 1535. They also executed the land jurisdiction. In 1405 Stephan Kanizsay invaded Austria and ravaged the
border region. This resulted in Duke Wilhelm of Austria arming a punitive expedition and the conquest of
Lockenhaus. Following the Peace of Pressburg, it was returned to the Kanizsays in 1409.
When in 1490 Emperor Maximilian I’s troops conquered the castle, the Kanizsays changed fronts and so could remain
in possession of Lockenhaus. By the marriage of Ursula Kanizsay with Thomas Nádasdy the dominion came into
possession of the Nádasdy family. Thomas had excelled in the Turkish wars and strove towards an arrangement
between Emperor Ferdinand I and his rival, King Johann Zápolya. His son Franz II was married to the “blood
countess” Elisabeth Báthory. It is said that after his death, she sadistically tortured and murdered 650 young
girls in Lockenhaus and, mainly, at her widow domicile in Csejthe (today’s Cachtice in Slovakia).
Her
grandson was Franz II of Nádasdy, who was called “Croesus of Hungary” because of his wealth. In 1636 he built
beneath the stronghold the outer bailey, which was also called the “Outer Castle”. However, he mainly resided in
his Castle of Pottendorf. The stronghold was no longer inhabited and was left to decay. After the execution of
Franz III in 1671 because of his participation in a Hungarian magnate conspiracy, Lockenhaus came, first as a
pledge than as his own property, to his son-in-law Count Nikolaus Draskovich, who was appointed guardian of
Nádasdy’s children by Emperor Leopold I. In return he had to return the dominion of Hungarian Altenburg which had
been pawned to him.
In 1676 Count Paul Esterházy gained the dominion. His descendants kept the castle until the middle of the 20th
century but didn’t live there, so it fell to its ruins. Around the middle of the 19th century 16 families lived in
the half-decayed rooms of the stronghold. During the years 1902-1906 Prince Nikolaus V Esterházy had some
restoration work done. The great hall and some adjacent parts had been romantically renewed by architect Prof.
Stephan Möller. The outer castle was arranged as a museum. In 1935 the chapel tower got a new roof. Towards the
end of the Second World War and during the postwar period the castle had been quite devastated due to
accommodations. The lower castle not only was missing the roofs, but partly also the ceilings.
In
1957 the roofs were remade, but the rescue did not happen until 1968, when the Styrian author Paul Anton Keller
bought the ruinous building and had it restored. He died in 1976 and his widow placed the castle in a foundation,
in which also the State of Burgenland has a share. Today Lockenhaus serves as the cultural center of the county of
Oberpullendorf. Well-known became the “Lockenhaus concerts”, which take place in the summers. Next to the castle
you can visit the Prof. Paul Anton Keller Museum. The outer bailey is used as hotel and restaurant. The castle is
shrouded in legend more than any other in Burgenland. However, the “indelible bloodstain” in the great hall, which
is said to originate from the massacre of innocent Templars, turned out to be red algae on the moist brickwork.
Most fortifications in Burgenland were greatly changed by the Hungarian magnates in the Baroque period.
Lockenhaus, however, could keep its appearance of a knight’s castle. The medieval parts of the castle are well
preserved. Lockenhaus is not only the oldest, but also the art-historically most significant, castle of the state.
It lies on a rock, the Güns creek flowing around. While it was well protected on three sides by the steep terrain,
a ditch had to be dug on the flat north side. The flattened height of the castle hill is surrounded by a ring wall
fortified with seven roundels. Most of the wall dates from the 15th and 16th century.
Next to the
main gate is a guard house. Passing it, you stand in the outer bailey in front of the massive complex. From a
distance it seems that there are two castles ahead, but the lower one is only the outer bailey of the other one
above. With its red-yellow-red painted shutters and the bright brickwork it seems, in spite of the two corner
bastions, more inviting than the much older main castle. The outer bailey was built in the 17th century on the
foundations of former economic and military buildings. The old sundial shows the year 1655. The northeast round
tower still has key-shape arrow slits. Its base probably originates from an ancient advanced defense tower.
The two floors of the high three-wing building of the outer bailey include several with massive vaults equipped
rooms. Originally from Siena architect Pietro Orsolini is considered to be the creator of the Baroque hall.
Powerful barrel vaults span the basement of the North and West wing. Underneath the so-called Hajduken parlors on
the east side is a mighty Gothic cellar, which was partially quarried out of the rock.
On the south side of the courtyard the picturesque gate tower with its pointed roof overtops the masonry. Passing
through it, you get into the middle courtyard. Originally, there were vaulted rooms in its place, what is still
indicated by different vault beginnings. Here also was a dungeon, which was quarried out of the rock by Turkish
prisoners in the 16th century. A documented from 1557 reports that 16 Turks were burnt alive in the dungeon. From
the middle courtyard you can enter the old kitchen of the castle, which was extended the same year by Thomas
Nádasdy. The impressive hearth area is canopied by a bulky-looking chimney. Two adjacent casemates were used as
pantries. A dumbwaiter led up to the stronghold.
A covered and arcaded staircase led through a reinforced gate from the middle to the polygonal upper courtyard. In
its center is a hole in the ground, which illuminates a subterranean room. This so-called “cultic hall” still
gives reason for mystical speculation today. It is a rectangular barrel-vaulted room with two vestibules, behind
its cube walls is older herringbone patterned masonry. This type of masonry suggests that this is one of the
oldest rooms of the castle. The round hole in the ceiling meets a rain water collection bowl embedded in the
ground. However, the assumption that this room was a secret sanctuary of the Knights Templar lacks any scientific
background. Possibly, the small hall rather had a much more prosaic purpose and served as a crypt, treasury,
prison, or cistern.
On the north side of the courtyard is the massive pentagonal tower house from around 1200. Its purpose was to
protect the defensive side of the castle. It, like the chapel tower and the vestibule room, is masoned of
beautifully carved ashlar rocks holding stone cutters’ marks. Its merlons are hidden under a flat roof today. The
gate reveal of the high entrance, which is at the height of the first floor, is still preserved. The wooden
structures of the six floors were burned by uninvited visitors in the postwar period. In the 16th century, a
staircase was added to the donjon, which allowed access to the other rooms of the stronghold.
In
the 17th century it was only used as a powder and weapons depot. Opposite of the donjon is the hall, probably
built by the Earls of Güssing, with the Gothic but heavily restored “Knights’ hall” on the ground floor. This hall
is also always associated with the Knights Templar, although there is no documentary indication that they have
ever owned the castle. It is a two-nave secular building with a cross rib vault borne by five octagonal pillars,
rather reminiscent of a church nave. The long hall occupies the full width of the southern front and so almost
half of the inhabited area of the old castle. Due to the slightly curved ground plan it’s bent in the middle. Its
“Romanesque windows” originate from the historicist restoration in the early 20th century. Above this room, Paul
Anton Keller installed a large concert hall. East of the donjon the chapel tower protrudes from the front wall.
Its Early Gothic windows are divided by little columns with bud capitals. In front of it is a small staircase in
which a snail-staircase led to the “Pfaffenstube”, the flat of the castle chaplain.
In the top floor was the belfry. The castle’s small chapel is dedicated to Saint Nicholas. It contains fragments
of Romanesque frescoes from the early 13th century, which are among the oldest of Burgenland. So you can recognize
Saint Nicholas in a window reveal. Traces of the Gothic elements which had been destroyed during the subsequent
Baroque-ization are still recognizable. The space underneath the chapel originally served as the Nádasdy’s family
tomb, but this was relocated to the crypt of the town’s parish church in 1669 by Franz II Nádasdy, who had founded
the church. The other, the yard surrounding wings date from the 16th century, the quadrangular building protruding
from the round old castle from the 17th century. In the southwest corner of the upper courtyard a fountain was
driven allegedly almost 120 meters deep down to the valley floor in 1549.
Location: about 16 km southwest of Oberpullendorf
Visitation: The castle is open year-round 08:00 to 17:00.
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